Dil Roberts Photography

Olympus mZD 75-300 II
Voigtlaender Nokton 40 f1.4
Voigtlaender Skopar 50 f2.5 on the Nex-5N V
Voigtlaender Skopar 50 f2.5 on the Nex-5N VII
Light is what's it all about.
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Super Bike
Voigtlaender Skopar 50 f2.5 on the Nex-5N III
Voigtlaender Skopar 50 f2.5 IV
Sigma 19 f2.8 for Nex IV

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07/25/13
Panasonic G5 - Panasonic G X Vario 35-200 f2.8 HD

Panasonic G5 - Panasonic G X Vario 35-200 f2.8 HD

I've left this image as I saw it. It's just been converted from raw with default values in LR4.4. Look carefully at the crane cables and the cage itself. It shows clearly how much CA I'm getting in these images from the G5. Normally I would remove this but what I'm trying to show here is that you have to spend some more time on each image. Do this on a few hundred images it adds up.

When I took this image I had a feeling that the camera wasn't at all stable in my hands and I took about 5 exposures to how they all turned out. All images came out fine but just the feeling that the camera wasn't stable had me hesitating about using this system in the future.

What I did try out was the OM-D with the original Panasonic 14-140 f4-5.8 and there is a lot of CA in the images that really needs eliminating. I'll be posting those images (with CA removed) at the end of the month (or thereabouts). The problem with that lens is that it is heavier than most lenses in the Panasonic stable (and Olympus for that matter). I bought the lens to do video but my enthusiasm for video hasn't really been great so far. That has to change however, as it is becoming part of being a photographer. It's expected these days and if you say to your clients that you just can't do video, my feeling is that client will look elsewhere for an allround photographer.

906
DMC-G5
Focal Length: 80 mm
Aperture: f/3.5
Exposure Time: 1/4000 sec
ISO: 160
Dil 07/25/13 19:00     comments (0)
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• Panasonic • G5 • 35-100 f2.8