Dil Roberts Photography

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Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus mZD 75-300
Olympus OM-D
Olympus OM-D
Olympus OM-D
Olympus OM-D
Olympus OM-D
Olympus OM-D with the mZD 14-150
Olympus OM-D with the mZD 14-150
Olympus OM-D with the mZD 14-150
Olympus OM-D with the mZD 14-150
Olympus OM-D with the mZD 14-150
Olympus OM-D with the mZD 14-150
SFXII
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Olympus 45 f1.8 on the E-PL1
Panasonic GF1 with the 20 f1.7
Sony 55-210 on the Nex-7
Olympus OM-D and the mZD 45 f1.8
Olympus OM-D and the mZD 45 f1.8
Olympus OM-D and the mZD 45 f1.8
Olympus OM-D and the mZD 45 f1.8
Olympus OM-D and the mZD 45 f1.8
Olympus OM-D with the mZD 45 f1.8
Olympus OM-D with the mZD 45 f1.8
Olympus OM-D with the mZD 45 f1.8
Olympus OM-D with the mZD 45 f1.8
Olymus OM-D with the zMD 45 f1.8
Olympus OM-D E-M5 with the Olympus 45 f1.8
Olympus OM-D EM5 with the mZD 12-50 kit lens
Olympus OM-D E-M5 with mZD 12-50 Kit Lens mounted
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1,8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8 + Nik SFXII
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sony SEL 50 f1.8
Sonjy SEL 50 f1.8
Sony SEL 50 f1.8
Olympus OM 135 f3.5 on the Sony Nex-7
Olympus OM 135 f3.5 on the Sony Nex-7
Olympus OM 135 f3.5 on the Sony Nex-7
Clouds II
Clouds
Sigma 30 f2.8 for Nex IX
Sigma 30 f2.8 for Nex VIII
Sigma 30 f2.8 for Nex VII
Sigma 30 f2.8 for Nex VI
Sigma 30 f2.8 for Nex V
Sigma 30 f2.8 for Nex IV
Sigma 30 f2.8 for Nex III
Sigma 30 f2.8 for Nex II
Sigma 30 f2.8 for Nex I
Sigma 19 f2.8 for Nex VI
Sigma 19 f2.8 for Nex V
Sigma 19 f2.8 for Nex IV
Sigma 19 f2.8 for Nex III
Sigma 19 f2.8 for Nex II
Sigma 19 f2.8 for Nex I
Voigtlaender Skopar 50 f2.5 on the Nex-5N VII
Voigtlaender Skopar 50 f2.5 on the Nex-5N VI
Voigtlaender Skopar 50 f2.5 on the Nex-5N V
Voigtlaender Skopar 50 f2.5 IV
Voigtlaender Skopar 50 f2.5 on the Nex-5N III
Voigtlaender Skopar 50 f2.5 on the Nex-5N II
Voigtlaender Skopar 50 f2.5 on the Nex-5N I
Leica Elmarit-M 90 f2.8
Leica Elmarit-M 90 f2.8 on the Nex-7
Leica Elmarit-M 90 f2.8 on the Nex-7
Leica Elmarit-M 90 f2.8 on the Nex-7
Leica Elmarit-M 90 f2.8 on the Nex-7
Leica Elmarit-M 90 f2.8 on the Sony Nex-7
SMC Pentax-M 135 f3.5 on the Nex-5N
SMC Pentax-M 135 f3.5 on the Nex-5N
SMC Pentax-M 135 f3.5 on the Nex-5N
SMC Pentax-M 135 f3.5 on the Nex-5N
Olympus OM-D EM-5
The Sony SEL 18-55 Kit Lens
The Sony SEL 18-55 Kit Lens
The Sony SEL 18-55 Kit Lens
Sony SEL 18-55 Kit Lens
The SEL 18-55 Kit lens
Clouds III
Nimbus starting to form
Cloud Time Again
Snapseed III
Snapseed II
Snapseed
Horizontal Format
Made to be Photographed
Favourite Photo so far in 2012
Nik SFX2
Andalusian Landscapes
Leica DG Summilux 25 f1.4
Leica DG Summilux 25 f1.4
Leica DG Summilux 25 f1.4
Leica DG Summilux 25 f1.4
Square Format V
Square Format IV
Square Format III
Square Format II
Square Format
Olympus mZD 14-150
Olympus mZD 14-150
Geese at War II
Geese at War I
Background Separation
Olympus E-P3 fitted with the mZD 14-150 Lens
Square Format
Great Holiday
Frames II
Another Test Post
Frames I
The Difference 2 Stops Makes II
The Difference 2 Stops Makes I
Background Separation
The Better Half
Spring is here!
mZD ED 14-150 f4.0-5.6
Frame within a Frame
Voigtlaender 50 f1.5 Adapted for Sony Nex-7
Voigtlaender 50 f1.5 Adapted for Sony Nex-7
Voigtlaender 50 f1.5 Adapted for Sony Nex-7
Voigtlaender 50 f1.5 Adapted for Sony Nex-7
Voigtlaender 50 f1.5 Adapted for the Sony Nex-7
Voigtlaender 50 f1.5 Adapted for Sony Nex-7
Nikon 50 f1.8 E-Series Lens
First Manual Nikon Lens: Nikon 50 f1.8 E-Series
Nex-5N + LEA2 Adapter with Sony Alpha 85 f2.8 Lens
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Sony Nex Cameras
Olympus mZD 75-300
Vivitar 28 f2.8
Vivitar 28 f2.8
Olympus E-PL1 and the mZD 14-150
Olympus E-PL1 and the mZD 14-150
Voigtlaender Nokton 50 f1,5 for Nikon
Voigtlaender Ultron 35 f1.7
Voingtlaender Nokton 35 f1.2 II
Pentax SMC 28 f2.8 on E-PL1
Olympus OM 50 f1.8 wide open at f1.8
Olympus OM 50 f1.8
Sigma 28 f2.8 Manual Focus Legacy Lens
Voigtlaender 85 f3.5 adapted for m4/3
Yashica 55 f2 Manual Focus Legacy Lens
Samsung EX1
Olympus mZD 75-300 on E-PL1
Olympus mZD 75-300 on E-PL1
Panasonic GF-1 and the 14-45 Kit Lens
Olympus mZD 14-150
Samsung EX1
Olympus 50 f2 Macro Four Thirds Lens
Olympus 50 F2 Macro Four Thirds Lens
Samsung NX10
Samsung NX10
PL 14-150 on Olympus E-1
PL 14-150 on Olympus E-1
mZD 14-150 on E-PL1
Olympus mZD 14-150 on the E-PL1
mZD 14-150 on the E-PL1
Olympus E-P2 and the mZD 9-18 Lens
Olympus E-P2 and the mZD 9-18 Lens
Olympus E-P2 anf the zMD 9-18 Lens
Samsung NX10 and the 30 f2 Pancake
Samsung NX10 and the 30 f2 Pancake
Samsung NX10 and the 30 f2 Pancake
How good can the E-PL1 be?
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Olympus E-PL1 and the 14-42 kit lens revisited
Getting close with the Panasonic 20 f1.7
Getting close with the panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting close with the Panasonic 20 f1.7
Getting Close with the Panasonic 20 f1.7
Olympus E-PL1 anf the Panasonic 20 f1.7
Olympus E-PL1 and the Panasonic 20 f1.7
Olympus E-PL1 and the Panasonic 20 f1.7
Olympus E-PL1 and the 14-42 m4/3 Kit Lens
Olympus E-PL1 and the 14-42 m4/3 Kit Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Olympus E-PL1 and the Panasonic 20 f1.7 Lens
Minimalistic Images (PPS)
Minimalistic Images (post script)
Minimalistic Images
Minimalistic Images
Minimalistic Images
Minisalistic Images
Minimalistic Images
Olympus 14-42 Kit lens (m4/3)
Olympus 14-42 Kit Lens
Olympus 14-42 Kit Lens
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Panasonic LEICA D VARIO-ELMAR 14-150 F3.5-5.6 ASPH. MEGA O.I.S.
Olympus 50 f2 Macro Lens on Olympus E-620 Four Thirds Camera.
Olympus 50 f2 Macro Four Third Lens
Olympus Four Thirds 35 f2.5 Macro Lens
Panasonic 45-200 F4-5.6 OIS
Panasonic GF-1 with the 14-45 Kit Lens.
Panasonic G1
Panasonic GF-1
Panasonic GF-1
Panasonic GF-1
Panasonic GF-1
Olympus Colours
Olympus Colours
Sepia Toning
Dramatic Cloud Formations V
Dramatic Cloud Formations IV
Dramatic Cloud Formations III
Dramatic Cloud Formations II
Dramatic Cloud Formations I
Sony NEX-5N
Sony Nex-5N
Camera and Lens Recommendation
Pentax SMC FA 31 f1.8 adapted for Olympus EP-3
Pentax SMC FA 31 f1.8 adapted for Olympus EP-3
Panasonic DMC-L1 with the PL 14-150 Four Thirds Lens
Panasonic GF-1
Samsung EX1
Panasonix LX5
Panasonic LX5
Panasonic LX5
Samsung EX1
Samsung EX1
Samsung EX1
Samsung EX1
Voigtlaender Skopar 50 f2.5
Voigtlaender Skopar 50 f2.5
Voigtlaender 85 f3.5 adapted for m4/3
Panasonic GF-1
Pentax SMC FA 43 f1.9
Minolta MD 135 f3.5
Minolta MD 135 f3.5
Sony Nex-5n and the 18-55 Kit Lens
Sunset
Architecture
Monochrome Images
Monochrome Images
Monochrome Images
Monochrome Images
Voigtlaender 85 f3.5 adapted for m4/3
Voigtlaender Skopar 50 f2.5
Pantax SMC FA 31 f1.8
Pentax SMC FA 31 f1.8
Pentax SMC FA 31 f1.8
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skoper 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Voigtlaender Color Skopar 35 f2.5
Pentax FA 43 f1.9 on Nex-5N
Pentax FA 43 f1.9 on Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Pentax FA 43 f1.9 on Sony Nex-5N
Voigtlaender Heliar 75 f2.5
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Sony Nex-5N
Reflections V
Reflections IV
Reflections III
Reflections II
Reflections I
Voigtlaender Heliar 75 f2.5
Voigtlaender 75 f2.5
Voigtlaender Heliar 75 f2.5
Panasonic LX5 VI
Panasonic LX5 V
Panasonic LX5 IV
Panasonic LX5 III
Panasonic LX5 II
Panasonic LX5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Voigtlaender Heliar 75 f2.5
Frankfurt West Harbour
Voigtlaender Heliar 75 f2.5 IV
Voigtlaender Heliar 75 f2.5 III
Voigtlaender 75 f2.5 II
Voigtlaender Heliar 75 f2.5
Olympus mZD 75-300 II
Olympus mZD 75-300
Lone Tree
Super Bike
Light is what's it all about.
Voigtlaender Nokton 40 f1.4
Konica Hexanon AR 50 f1.7 III
Konica Hexanon AR 50 f1.7 II
Konica Hexanon AR 50 f1.7
Lightroom 3.5
Voigtlaender Nokton 40 f1.4 Revisited
Vari ND Filter IV
Vari ND Filters III
Vari ND Filters II
Vari ND Filters
Highlighted Tree
Back Again
Great Light IV
Great Light III
Great Light II
Great Light
Panasonic Lumix L1 V
Panasonic Lumix L1 IV
Panasonic Lumix L1 III
Panasonic Lumix L1 II
Panasonic Lumix L1
Vivitar 28 f2.8 OM Version Adapted to m4/3
Another conversion with SFX2
B&W Conversion with Silver Efex Pro 2
Converting to B&W
Olympus OM 135 f3.5 II



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